Hailed as an “exciting dramatic soprano” (Opera Canada) and for her “command over a powerful range of expressive emotion” (The Whole Note), Jaclyn Grossman is a soprano, curator, and administrator from Toronto, Canada.

Recent highlights include Brünnhilde in Die Walküre and Siegfried, and Freia in Das Rheingold with Edmonton Opera, Nedda in Pagliacci and Nella in Gianni Schicchi with Opera Kelowna, and the Soprano Soloist in Beethoven’s Symphony No. 9 with the Buffalo Philharmonic under JoAnn Falletta. She recently completed residencies with Pacific Opera Victoria, the Rebanks Fellowship at Toronto’s Royal Conservatory of Music, and the Britten Pears Young Artist Programme. She has also covered Judith in Against the Grain Theatre’s Bluebeard’s Castle.

Jaclyn is passionate about fostering community and connection and is deeply committed to supporting local groups and nonprofits. She is a co-founder of Likht Ensemble, which specializes in researching and performing Jewish music from the Holocaust. Likht’s recent performances were at Ehrbar Saal (Vienna), the Muechener Kammerspiele, and Salle Bourgie (Montreal). She is the Founder of The Phoenix Leadership Project and the creator/facilitator of the Association for Opera in Canada’s RBC Artist Fellowship/Mentorship, and the Programs Manager for Opera' 5’s Portfolio Artist Internship Program.

In her various roles, Jaclyn thrives on singing opera and art song, discovering new repertoire, sharing music from the Holocaust, working with a community of artists, exploring how artists can better engage with the opera sector, developing leadership programs, and above all, connecting with others.

“The most Jewish Wagnerian
since Hermann Levi.”

- La Scena Musicale

Recital Projects

The Shoah Songbook

The Shoah Songbook is an ongoing recital series by Likht Ensemble exploring music by Jewish composers during the Holocaust. The project shines a spotlight on remarkable artists whose voices were silenced too soon, ranging from the subtle poetry and haunting lullabies of Ilse Weber, to the stylistically daring works of Viktor Ullmann, to the never-before-recorded songs of Edwin Geist. Recent performances have been presented at Ehrbar Saal (Vienna), the Münchner Kammerspiele, Salle Bourgie in Montréal, and as part of the Canadian Opera Company’s Free Concert Series.

Watch the Shoah Songbook Part Three

Salam-Shalom: Echoes of Home

Salam-Shalom: Echoes of Home is a recital dedicated to fostering dialogue, healing, and community. The program brings Arab and Jewish stories into conversation, exploring intertwined histories and shared human experiences through music, poetry, and song. Through Hebrew, Arabic, and English, the recital explores themes of home, memory, belonging, and hope, creating space for listening, connection, and understanding. The artists involved in the program are Jaclyn Grossman, Miriam Khalil, Gordon Gerrard, and Idan Cohen.

Recent News

Review: Siegfried, Edmonton Opera “Roused to Vigorous Applause”

OPERA CANADA (Bill Rankin)

“In the final scene, we hear Jaclyn Grossman as Brünnhilde, reprising her role from Die Walküre. She made the most of her small contribution, elevating the tone of the evening to truly operatic heights. The audience was roused to vigorous applause at the end, I think partly by what Grossman brought to the production.”

Artist of the Week: 20 Qs for Jaclyn Grossman

OPERA CANADA (Máiri Demings)

“The Artist of the Week is Canadian soprano Jaclyn Grossman. She will be singing the role of Brünnhilde in Wagner‘s Die Walküre at Edmonton Opera from June 5th to 13th (tickets and info here).”

The Likht Ensemble is Charting a New Course Through the Classical Canon

LA SCENA MUSICALE (Eva Stone Barney)

“Before they founded The Likht (ליכט, “light”) Ensemble, pianist Nate Ben-Horin and Soprano Jaclyn Grossman “had no idea there was a musical world in the Holocaust.” Since 2020, the piano-vocal duo has made it their mission to uncover and share previously lost repertoire by Jewish composers from the Holocaust.”